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Lot 13
Alison Turner
(British, born 1976)
At The Hands Of The Enslaved, Our Society Was Built
17 – 25 November 2022, 17:00 GMT
London, New Bond Street

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Alison Turner (British, born 1976)

At The Hands Of The Enslaved, Our Society Was Built
fibreglass, ceramic, glass and grout
140 cm (diam), base: 28 x 137 x 137 cm

Footnotes

My design for the theme Stolen Legacy: Rebirth of a Nation will hopefully encourage the viewer to question their perspective on the history of the Transatlantic Trade in Enslaved Africans. I wanted to depict society being physically 'held' by the hands of an enslaved person, saying 'Don't forget us, our sacrifice is at the very soul of the society of which you are a part.' I want to highlight the fact that our nation was created out of suffering and revisit the misplaced legacy towards the slave traders who benefitted from the barbaric treatment of the people they traded. Mosaic itself is diverse by its very nature. Using glass, pottery, ceramic tile, mirror and vintage crockery, I have included buildings in the cityscape which have specific and direct links to the slave trade including Speke Hall, Bristol Old Vic, Guinea Street and The Georgian House. The hands of the enslaved person are edged in spent bullet casings to encourage the onlooker to consider the suffering and sacrifice made by the thousands of lives that were traded and disregarded...this globe is for them. To honour and remember exactly who built our society. Together we can look back and relearn history from another perspective in order to understand the generational effect slavery has had on our ancestors and in turn, improve our future. May we always remember the roots of the foundation of society for it has blood running through its veins. Hand Model - With thanks to Nathan Oladipo.

Alison Turner is a professional mosaic artist known for her quirky approach to mosaic art. She creates artwork for gallery exhibitions, private collections and public installations. Describing herself as an "Artistic Recycler" Alison sets stone next to broken pottery, discarded ceramics next to glass thus creating eclectic work that will be admired for years to come.

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