lots

Raoul Dufy (French, 1877-1953) Quatre Bois: L'Amour and La Pêche Two woodcuts, circa 1910-1911, rare first edition impressions on chine volant paper, signed and numbered respectively 87/100 and 85/100 in pencil, with wide margins, published by Editions de la Sirène, Paris, in very good conditionBlock 1 305 x 310mm., Sheet 458 x 574mm.Block 2 400 x 315mm., Sheet 455 x 572mm.(2 unframed)

Pier Leone Ghezzi (Italian, 1674-1755) Monkeys Two etchings, fine impressions of apparently unrecorded works, on laid paper, trimmed just inside the platemark, sheet 79 x 70mm; together with a Dirk Maes etching Le Manège (H3), plate three from The Riding School, on laid paper, watermark Strasbourg Lily, trimmed to the left platemark, the other sides with thread margins, plate 208 x 244mm, in good condition (3 unframed)

Henri Matisse (French, 1869-1954) Figure de dos au collier noir Lithograph, 1906, on Japan paper, stamped signed (as issued), numbered 3/25 in ink, the full sheet, in good condition Sheet 446 x 278mm.

Glenn Ligon (American, born 1960) My Fear is Your Fear Screenprint, 1995, on black wove paper, signed and numbered 10/325 in pencil, the full sheet, in very good conditionSheet 305 x 230mm. (unframed)

Joan Miró (Spanish, 1893-1983) Miro el Tapis de Tarragona Lithograph in colours, 1970, on Guarro with the Sala Gaspar watermark, signed and dedicated a Joan Casas, amicalement, Miro, I/X/70 in green, pink and brown crayon, with the monogram M, a proof aside from the edition of 200 without text (there was also a poster edition), the full sheet, printed by Sala Gaspar, published by Publicaciones reunidas, Barcelona, authenticated by Rosa Maria Malet in pencil verso, Fundació Joan Miró, Barcelona, in good conditionSheet 755 x 555mm.

Joan Miró (Spanish, 1893-1983) Espriu - Miró Etching and aquatint in colours with carborundum, 1975, on wove paper, signed and numbered 31/50 in pencil, printed by J.J. Torralba, publihsed by Sala Gaspar, Barcelona, the full sheet, generally in very good conditionSheet 863 x 700mm.

Albrecht Dürer (German, 1471-1528) The Annunciation, from The Life of the Virgin Woodcut, circa 1503, a fine Meder Ib impression before the text edition of 1511, printing with great clarity, on laid paper, watermark High Crown (M20), with small margins, a few pale fox spots, in good conditionBlock 298 x 211mm, Sheet 306 x 219mm. (unframed)

Jacob Cornelsz. van Oostzanen (Dutch, 1470-1533) Christ and the Captain, from The Small Passion Woodcut, circa 1520, a very good strong impression before the text edition, on laid paper, trimmed to the block, in very good conditionBlock 111 x 80mm. (unframed)

Albrecht Dürer (German, 1471-1528) Desiderius Erasmus of Rotterdam Engraving, 1526, a fine Meder a impression, printing with great clarity, on laid paper, with watermark Coat of Arms with letter L and pendant letter b (M.314), trimmed inside the image at the upper and right edges, otherwise on or just inside the platemark, pale brown ink '94' at upper edge, some pale staining and other minor defects Sheet 242 x 183mm. (unframed)

Jacob de Gheyn II (Dutch 1565-1629) after Abraham Bloemaert (1564-1651) The Annunciation Engraving, 1593, a fine impression of the third state (of five), with the address of Robb.De Baudous and before the address of Houwens, on laid paper, watermark Shield with crown, trimmed to the platemark, in good condition Plate 360 x 283mm. (unframed)

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