We use cookies to remember choices you make on functionality and personal features to enhance your experience to our site.
By continuing to use our site you consent to the use of cookies. Please refer to our
privacy
and cookie policies for more information.
Eternal Embrace oil on cement mounted on panel, framed signed and dated 1347 on edge of panel, executed in 1968 70 x 70cm (27 9/16 x 27 9/16in).
Footnotes
A RARE EARLY PAINT AND CEMENT COMPOSITION BY PARVANEH ETEMADI
Provenance: Property from a private collection, Dubai Acquired directly from the artist by the present owner in 2018
"Basically, an artist is a revolutionary, revolution lies in the artist's essence. Revolting against old structures, modifying them in the hope of reproducing them. Certain arts have a consumption period and are gradually overthrown by the passage of time and the change of circumstances." - Parvaneh Etemadi
Parvaneh Etemadi is undoubtedly one of Iran's most accomplished and original modern artists. Born Iran, Etemadi grew up in Birjand, and completed studies at the Fine Art College of Tehran University 1967. She studied under Bahman Mohassess and has exhibited both nationally and internationally since 1969.
During the first period of her artistic activity, probably due to her collaboration and sympathy with the same group of artists who founded Ta'la'r-e Iran and under the influence of her academic teachings, she appeared as an abstract painter. Parvaneh's adhered to the young group of progressive innovative painters of the Ghandriz gallery who believed that the real vocation of art lies in abstraction and thus evaded figuration. Etemadi's work, however, would gradually encompass figurative elements as she developed a "third way" which did not give in to pure abstraction
Following initial exhibitions at the Ghandriz gallery, Etemadi started the second phase of her artistic practice in 1970, exemplified by the present painting. These "cement paintings" were a series of works that were executed on a rough cement base, comprised mostly of semi-abstracted figures that employed a minimal use of line and colour. The use of cement is in keeping with Etemadi radical agenda which asserts contemporary art as a revolutionary upheaval against classical modes of representation, through the use of a modern construction material Etemadi harmonizes both the compositional and stylistic elements of this revolutionary artistic agenda.
This auction is now finished. If you are interested in consigning in future auctions, please contact the specialist department. If you have queries about lots purchased in this auction, please contact customer services.
Buyers' Obligations
ALL BIDDERS MUST AGREE THAT THEY HAVE READ AND UNDERSTOOD BONHAMS' CONDITIONS OF SALE AND AGREE TO BE BOUND BY THEM, AND AGREE TO PAY THE BUYER'S PREMIUM AND ANY OTHER CHARGES MENTIONED IN THE NOTICE TO BIDDERS. THIS AFFECTS THE BIDDERS LEGAL RIGHTS.
If you have any complaints or questions about the Conditions of Sale, please contact your nearest customer services team.
Buyers' Premium and Charges
For all Sales categories, buyer's premium excluding Cars, Motorbikes, Wine, Whisky and Coin & Medal sales, will be as follows:
Buyer's Premium Rates 27.5% on the first £10,000 of the hammer price; 25% of the hammer price of amounts in excess of £10,000 up to and including £450,000; 20% of the hammer price of amounts in excess of £450,000 up to and including £4,500,000; and 14.5% of the hammer price of any amounts in excess of £4,500,000.
VAT at the current rate of 20% will be added to the Buyer's Premium and charges excluding Artists Resale Right.
Payment Notices
For payment information please refer to the sale catalog.
Shipping Notices
For information and estimates on domestic and international shipping as well as export licenses please contact Bonhams Shipping Department.
Lot symbols
*
Import low rate
VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.